WHATWHYWHENHOW: Artwork Analysis 11


3 Paths. Oil on canvas. 2010.

3 Paths. Oil on canvas. 2010.

3 Paths II. Oil on canvas. 2012.

3 Paths II. Oil on canvas. 2012.

3 Paths III. Oil on canvas. 2012.

3 Paths III. Oil on canvas. 2012.

Another in a series of analyses on my art. This one’s late! I’ve done separate posts before on  two of the pieces individually (just click or search the tags ‘oil paint’ or ‘paintings’ and you will see all those posts). Most of the posts have just been to do with my progress, but not on all three together as completed works.

Feel free to comment with questions you may still have.

3 Paths, 3 Paths II and 3 Paths III

WHAT:  These works are oil on canvas pieces and are inspired by the fantastically bold art of Qin Feng. There are a couple links to his work below. They are conceptual (art whose ideas are more important than the traditional aesthetic & material concerns). They are non-objectional abstract (more on that in the next paragraph). All three pieces together form a triptych. Nah, I didn’t make that word up…it’s a real word! Triptych:  (pron.: /ˈtrɪptɪk/TRIP-tik; (from the Greek adjective τρίπτυχοs (“three-fold”), from tri-= “three” + ptysso= “to fold”) is a work of art (usually a panel painting) which is divided into three sections, or three carved panels which are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. – wikipedia

WHY: I wanted to step away from realism and naturalism for a while (realism and naturalism are two different styles of art, but with a similar focus-to capture what subjects really look like) and give a serious stab at what I before only dabbled with from time to time: complete abstract. Many people know that abstract is a very altered rendering of an object and abstract art can also be non-objective (just shapes, lines, form or shape othat are not of any object-people, things, places, etc.; my three pieces are examples of being non-objective and abstract). I highly admire Renaissance art as well. I wanted to try something less detailed and liberating as far as the process; something also, to be honest, that I could create quickly! My detailed artworks are like making a 10-course meal. And although the creation process involved much thought, these 3 paintings were like making a sandwich. So, a BIG difference as far as time. When I saw works by Qin Feng, all gorgeous and pow pow pow in your face, it got my mind going! POW! #ObnoxiousAlert

WHEN: I did these over a span of two years (after starting and stopping). The 1st one was done in 201o. II and III were done in 2012.

HOW: I will explain this pretty quickly so as to get to the point about 3 paintings. First, the ground is prepared. For each work, I wanted the ground colors to be visually appealing, but without being usual colors. The first has a deep red brick color, the 2nd has a loud yellow and the 3rd was to be a dark (with black) greenish color, but it appears mainly black.  The next step was to paint the wide strokes across each work. Expansively free lines was what I was going for. An Asian appearance (beauty of line, varied brush widths and directions and coloring to complement the each ground) was the aim as well. As far as the coloring of the strokes, I got stuck on the 2nd one. I didn’t know what color to use against the yellow ground. Then my roommate suggested that I create the pieces to all include the same colors so that they’d go together more. Great idea! It cut the indecisiveness. See? Besides wondering ‘what the heck is that?’ when they are looking at their artist roommate’s pieces, they can also give advice! My first piece was a BREEZE to do-inspiration was high. # II was indecisive-had to figure out the color scheme. # III was like the anti-art monsters just swallowed my brain and sucked out all of my creative thoughts! I even cursed that painting out…LITERALLY (you can read about it in this post: “FIRST TIME FOR EVERYTHING!: i cursed out my painting…badly” from October 2012). I changed it 50,000 times (well, almost), but it got done. Things worked out, though! I finished them all and, in fact, while I was painting the 3rd (hell-ish, lol) piece, someone wanted to buy all three paintings! Thank God! You can read about that, too (“UPDATE: wrapped up and sent off with a tear…i miss my paintings” from November 2012). The 3rd piece was mailed separately because one area would NOT dry. I think if a tornado blew over it, it wouldn’t’ve dried! I had to actually rub off some of the oil paint layers. It dried quickly after that. I coulda beat myself with a jumbo sable paintbrush for not getting that earlier. Meh…

I am glad that I could finally post this article. Talk about STALLIN’. But I did it and I hope you enjoyed reading and learning about these works! // SHAMELESS PLUG TIME!!: If you are interested in any works as far as questions and as far as purchases, email me: calonie.ct@gmail.com. Thanks!

View more art at: http://paintingsilove.com/artist/caloniejohnson THANKS! // UPDATE: I just completed a new piece, today. Back on my drawing game after taking a long break due to work, involvements and just plain hiatus. I will post it, soon. I want to next create more religious-based artworks (do not have enough of those and they’re important), Assassin’s Creed fan art (but something gritty and naturalistic…no corny stuff) and fairy tale-based art (but not sappy). I also want to work on a book of my art. A long thought of project that is overdue!

Qin Feng sites:

Official artist site- Click Here

Qin Feng on Artnet- Click Here

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UPDATE: wrapped up and sent off with a tear…i miss my paintings


I would’ve wept and let tears drop (like in the movies) on this mailer, but I was in the post office. I would have looked weird. So I made a sad face over it, instead.

Weeeeeeeeeep!!!! I did it. It had to be done. *sniff*

I mailed two paintings to a buyer (or that other fancy word people who sell their wares like to use: patron) on November 2nd. These two paintings are featured in these posts on this blog: “WHATWHYWHENHOW: Artwork Analysis 5″ and “HMMMM…WHAT WILL THIS BE? 2:  after a faulty start, i have figured it out”. As can be expected from an artist (because if you know the true artist personality, we tend to get attached), I miss them very much, but artists have to make that money, too, and so we have to teach ourselves to let go and keep creating. It is a hard lesson everytime. Well, almost everytime because sometimes we produce stuff that just plain sucks or pissed us off somehow. In cases like that, it is EASY to let a piece of art go because we DO NOT like it.

Below are two photos I shot of the artworks a few hours before I went to the post office:

3 Paths. Oil on canvas board. 2010.

3 Paths II. Oil on canvas board. 2012.

Before sending the paintings off, I did the following: took final photos (I have soooo many photos from other shoots, too) and final detail photos, wrote a letter (which incl. care advice and advice on framing and hanging the works) and I went to a copy place to make a few prints from the paintings. When selling original art always make sure to take photos & make prints of your work (for yourself, portfolio and marketing needs). Never sell an original piece without making sure to have visual evidence to keep.

So now my precious pieces are in the abode of another. *sigh* I hope that they will take great care of them, realizing that when you buy a piece of art you are literally buying a piece of that artist along with it. Art really is more than money. It’s soul & thoughts. But I already decided I am going to keep with this Qin Feng-inspired art and produce more. Produce more so that I will feel better again (!), so that I can see if I can push the envelope and produce even BETTER versions and because I just really love this style of abstract art. It’s like Mannerism in abstract form! Very expressive!

I have a third piece within this series (which makes this series a triptych-a series of 3 works that, well, go together…..a diptych would be 2 works that go together…..I wonder what a 7 series is; a septtych??). But there is one area on ‘3 Paths III’ that literally refuses to dry! And I did not even utilize medium (like linseed oil, for ex.) which prolongs drying time. So I am annoyed and mind-boggled. I wanted to mail them altogether, but I will have to mail this one later, after I figure out what to do with it….and after I quit glaring at it. I also talked more about this 3rd one in this post that you can find on my blog: “FIRST TIME FOR EVERYTHING: i cursed out my painting…badly”. Serious. Read it.

Well, gonna sign off on this post, but I am going to do an analysis on the hows and whys of this series (all 3) in another one of my art analyses that I like to write.

I am going to go and take a walk because DAYTIME seems to be a cue card for NOISE for some people. My neighbors on one side are loud (mega bowling match goin’ on, apparently). And my neighbors on BOTH sides are SUPER jerks with a breakdancing (apparently) dog on one side and s***load of puppies on the other side. These dogs are straight buggin’! Connected walls……..the scourge of apartment living.

Have an awesome day and night, readers (I KNOW you will if you do not have dog-owning, bowling neighbors)!

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WHATWHYWHENHOW: Artwork Analysis 11


“back off!: the arsenal of a woman’s heart”. Mixed media on paper. 2010-2012. (This is kind of blurry and soon I will replace it with a more clear, crisp image.)

Another in a series of analyses on my art. Kinda belated with this one. It took me a while to complete the drawing to begin with and, now also, to post this analysis, but here it is!

Feel free to comment with questions you may still have.

back off!: the arsenal of a woman’s heart

WHAT:  As you first viewed this piece, without reading the article yet, you probably thought to yourself: We have a psycho in the building!! Don’t worry, I am not psycho. A bit quirky and kinda strange (in a good, artistic and non-creeptastic way that is), yes, but not psycho. This is actually opposite of violent! The image reads violent, the message does not. But more on the meaning below in the “Why” section. For now directly what this is is a heart with a band-aid (I had fun modeling the band-aid using a REAL band-aid…details mean alot to me; I am a realism, naturalism freak…right down to the tiny little holes on the strip) with a radiating field of weaponry and a sort graffiti imagery in the background. I’m not a firearms fan and I haven’t played the game yet, but: This is an NRA-slash-Call of Duty Black Ops DREAM artwork!!

WHY: Why did I want to draw something that causes people to question my mental and emotional health and to scare some observers? Well, 1st of all, being an artist I do not care what people will think when they see it. If you care about scaring people, you will not produce half of things you would like to as an artist. Art is about expressing thoughts and feelings; making a statement (whether personal or societal). The most I’ll say is I try not to be disrespectful while still maintaining being an artist. This drawing is basically a visual and symbolic (not to be taken literally) representation of protection. I (along with countless women) have experienced a few crappy relationships with dudes. And I get that men have had bad experiences with women, but being a woman…I am coming from a female perspective. One very bad, disappointing experience some years back caused me to think about a couple other retarded experiences before that one and so those snowballed into this one piece of art. I have had a better relationship, but with this piece I wanted to focus on the dumpier ones because: a) crappy relationships result in more visually exciting results with artwork and b) I felt like visually venting. So, instead of moping over tirones (‘jerks’ in Spanish!), I put that energy into art. I am not into moping over ingrates. So now I have a cool, awesome-tastic piece of art with guns.

Which leads me to the other part of the ‘Why’. This is where I explain the symbolism. There are some bullets piercing the heart. They symbolize pain that managed to reach the heart. The heart itself represents feelings. The band-aid represents healing. God is the ultimate healer and family, friends also help that along. A woman goes through the motions for a little bit and eventually we’ve gotten over it. Then we’re continuing life’s journey with fun visits to the bar and the beach while the maniquí (‘dummy’ in Spanish!…trying to connect to my Latin side) is a distant memory! You even forget their birthdates-I did! That is the heart having healed. The guns, rifles and knives symbolize protection. If the heart is a battlefield (as some say), then the battlefield needs an arsenal. And so the weapons symbolize a woman putting a wall up against anymore male ridiculousness, untruths, weirdness and those corny lines about taking you out or about love (eyeroll). This work also shows if a man dare to come with that mess, he will get FUDGED UP (you know I don’t mean ‘fudge’, but I gotta keep it clean………..)! All in all, this was not a bitter moment for me to hash out, this was an opportunity to be creative and I had fun doing it. It is exciting & satisfying to see a piece of art go from your mind to reality on a piece of paper, canvas or other medium! And there you have the reason behind the title. And there you also have why this is the opposite of  violence. It is about self-protection. It is purely symbolism and not me wanting to actually shoot a guy. Although I have wanted to punch many a man in the baby-maker.

WHEN: This was begun in 2010. I took a looong break (I lost creative ideas for this for a while) and then, after one or two restarts, finally finished it this year.

HOW: (I wrote on alot of the process in these 2 posts—> ‘Back to Basics: drawing in progress 1’ and ‘Back to Basics: drawing in progress 2′). Charcoal is the main media in this piece. Except for drafting areas and detail (graphite and colored pencil), this is mostly charcoal. This was meant to be a bold piece and so I needed to use bold tones. Charcoal does that. It’s rich and, depending on how hard you go with it, it’s very dark. Menacing. I like menacing. First, I started with the heart and its arteries and veins and all that great detailed stuff, 1st. I isolated some details with color. Including the blood (Get this: my Mom saw the drawing and suggested I add MORE blood to help with the realism of a heart bleeding…wow, Mom! Yikes! Lol… She was right, though. I listened.). I modeled this heart  after the one I ripped out of an ex. Just kidding! Gosh! Some dark, macabre humor for ya, there… Anatomy is fascinating to me and the construction of the body and its organs is, too, and I loved having an excuse to draw the heart, again. As I said above, I modeled the band-aid from an actual one. Just that little detail was fun to render. The bullets and cache of weapons was next and since this was the bulk of the point I wanted to make, I got really into loading the plane (work surface) with a collection worthy of yeeeaaars of jail time. The tonal work and detailing took some time. I did not want any of it to look cheesy. They had to look as menacing and emphatic as possible! The knives were drawn from knives I had in my possession. …that-I-took-from-the-KITCHEN just in case you are thinking: She hoards knives in her room. See?? What’d I tell ya? I told you. Psycho. And the rifles, guns and bullets I modeled from other sources because I don’t possess not one single firearm, let alone a stash that would have me searched quicker than you can say Don’t drop the soap! The last portion of the piece was the background and I wanted it to be gritty, grimy and definitely no flowers or bunnies. I didn’t want a flat, completely black groun, either. That would be too boring and too lazy for such a work. The design of the background, somewhat reminiscent of graffiti, I feel, reflects a few of the shapes in the work and I also went for a somewhat comic-look by outlining some portions with bold contour (outside linework) lines.

Below are more images of this piece:

DETAIL. Upper portion.

DETAIL. Bottom portion.

I am glad that I could finally post this artwork. It took for-EEEEE-VAR. But I did it and I hope you enjoyed reading and learning about it!

Thanks for reading this post and please do view my other posts and also pages in this blog!

view more art at: http://paintingsilove.com/artist/caloniejohnson THANKS!

WHATWHYWHENHOW: Artwork Analysis 5 (a second look)


  • NOTE: When I was going through my posts, I saw that I had already done an art analysis on this piece!! Go see “Artwork Analyses 5”...that one! Being somewhat of a perfectionist, I became somewhat perturbed and annoyed. Silently so. My roommate even noticed a change in my temperament from cheerful to meh. But then I got over it because stuff like blogging mistakes are not the end of the world or the worst thing in the world. I next figured out what to do & have decided to make this a two-part study (hence me titling this one ‘a second look’. I could have kept it as “Artwork Analyses 10”, but I want #10 to be a completely new work. I have a thing for order, sue me! So , anyway, this is basically the SAME work with a fresh perspective. End of note!

 

Another in a series of analyses on my art. This one’s an abstract one! I am mainly a realism and naturalism artist, but abstract art is growing on me. In my head, Picasso and Mondrian are becoming friends with daVinci and Ingres (two of my big BIG art idols)! Man, imagine if they were really friends? Those would be some awesome chill sessions.

Feel free to comment with questions you may still have.

3 Paths, Oil paint on canvas, 2010.

3 Paths

What:  This is an example of my accumulating interest in abstract art. There are many ways to approach abstract art. It can be blocks. It can be splatters (technically called action art), it can be minimalist strokes… Abstract art is freeing and I guess you could say the liberal side of art. Yet it still adheres to the elements and principles used in every other visual art style. What else this is is also my mind going off on a whimsical tangent; creating while thinking, but not thinking too hard…like The Kardashians. Whoa. Let me take that back. I thought more than that while painting this. I don’t let my brain slip that much! Theirs is a whole other level of cerebral decay…

The other What is within the title itself. 3 Paths. It has to do with the configuration of the strokes. It is not the letter A, by the way!!

Why: I created this painting because I am becoming more appreciative of the simple and yet, complex, beauty and pleasant oddity of abstract art. I wanted to break away from being so detailed and careful with my technique and skills. There are, as I said, so many ways to approach an abstract idea. It is very exciting to work out and watch it form. It can be very unnerving, too, because there are less restrictions it can be easy to slip up and not get the result you want…because despite how free-ing or simplistic (at times) it is, even abstract art is being worked out to result in an appearance pleasing to the artist. Another Why is a need to expand techniques, styles and to progress is something that is natural for most artists to want to do.

Another Why is that I was inspired by the artist Qin Feng, a Chinese-born artist. I was trolling the ‘net (I am a website freak…I have bookmarked tons of sites from art to food to humor to history and more) and came across this wonderful, sublime artist and his dynamic art. His form of abstract really appeals to me for this reason: it is abstract with a mix of classic and bold. The lovely lines of his work are reminiscent of the care daVinci or Ingres put into the contours of their subjects. Just powerful stuff! It really speaks! To me, he is like a graffiti artist eating caviarthat bold and sophisticated at once! There are links at the end of this post about this artist and his work.

When: I painted this two years ago. I wanted this to be part of a triptych (triptychs are basically a series of 3 works alongside each other working or relating as one artwork; there are also diptychs-2 works in a series-wonder if there are quadtychs or cinctychs…okay, I’m being ridiculous now!),but I stalled. But this month I am picking the idea up, again, and have been working on my 2nd painting in the series. You can see it in my post: “HMMMM…WHAT WILL THIS BE 2: after a faulty start, i have figured it out”

How: Did this with broad and repeated strokes of oil paint, going wayward here and there, for a lose and at once boldly defined effect! My, what a way with words. I feel like I’m writing a novel!  I also did this with a hand more accustomed to realism and naturalism, accustomed to controlled and careful and very detailed work and not abstract. I’m more Renaissance than Rauschenberg. I’ve done abstract before; simplification before, but only within classroom situations in high school and college. I knew abstract is an art style and respected the artists (old and new) of the movement, but I did not have the appreciation that I had for realists, naturalists; old and new. But I am growing in that appreciation, so I guess I also created this piece-not only with oil paint and brushes-but also with an open mind and appreciation for the dynamics of abstract art.

Final note: When I was finished with the piece, I was actually sad that I was done because it was so much fun to do! It turned out nicely, to me. What do you think? All black solid paths and wisps against a bed of deep crimson. To me, this painting ended up having a decidedly Asian look to it, which is great as I love Asian art and influences. Makes me think of the long, deep black wispy hair that those scary ghosts have in movies like The Grudge. Except my painting is much less frightening, doesn’t make those creepy throat sounds and won’t have me running out of my house!

Thanks for reading this post and please do view my other posts and also pages in this blog! My next post will be the 11th art analysis and it is a long time coming and will be on a piece of art that was featured in these posts: “BACK TO BASICS: drawing in progress 2” and “BACK TO BASICS: drawing in progress 1”. I finally finished the piece a few months back. Below is a detail of the artwork (I will post full image and more in the next art analysis!!):

DETAIL. This is a sneak peek of Art Analysis 11!

View more art at: http://paintingsilove.com/artist/caloniejohnson THANKS!

Definition of abstract art: http://en.wikipedia.org/wiki/Abstract_art

Qin Feng (artist that I am a new fan of!): http://qinfeng-art.com/ and http://www.artnet.com/artists/qin%20feng/

HMMMM…WHAT WILL THIS BE? 2: after a faulty start, i have figured it out


In the post “HMMMM…WHAT WILL THIS BE?:  new art”, I posted the image below. I was trying to figure out what it should be. I thought I had it all figured out when I began drawing preliminary running figures (coincidentally while it is Olympics season, right now) and then started painting the figures. My plan was to finish painting the figures (3 in different running poses) and then paint in a cool graffiti effect on there. But as I was painting one figure, I messed up!! I ended up overpainting one leg and all of a sudden it looked ugly. And then that affected the entire work for me: it went from ugly to worse—>a plain ole a stupid idea. That is true artist fashion: you go from, “This looks great, I’m inspired to keep at it!” to, “This sucks. I hate it.” Inner artist rage musters. From motivated to demotivated with one mistake. Blah. So…

…I have replaced that with this (below)! Actually, I painted a whole new board yellow because I painted the one above a black-ish green. But then I missed the yellow and rather then wait for the black-ish green board to dry, I painted a new board yellow and have now come up with the image below. The solid grounds of the canvases inpired me to finish where I left off two years ago: completing a triptych (3 relating pieces working together as one) inspired by (not copied from, mind you) the abstract artist Qin Feng. So this is the 2nd piece. I am not too crazy about it, yet. What do YOU think? Feel free to post comments on your thoughts! I, personally,, think I need to refine it and make it more substantial. It seems too weak, somehow and not at all looking like it relates very much to the 1st one, which is much more bold. But as I said, it is the 2nd part in a 3 part series. That means the first one…

…looks like this (look below)! I ended up liking this 1st one more than I thought I would! I am more of a realism, naturalism, classcal ar, daVinci, Ingres type person, but I have been appreciating the simple and dynamic beauty of abstract art more and more, lately! I want the other two I produce to be worthy of being displayed alongside this piece. I will write a “WHATWHYWHENHOW: Artwork Analysis” on this piece within the next couple days. It’s only fitting, now!

3 Paths. Oil on canvas. 2010.

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View more art at http://www.paintingsilove.com/artist/caloniejohnson

I have also bitten the tumblr bug: http://caloniedoesarttwo.tumblr.com/

WHATWHYWHENHOW: Artwork Analysis 8


"don't even ask..." 2011Digital photography and graphic art

“don’t even ask…”
Digital photography and graphic art. 2011.

"don't even ask...II" 2011Digital photography and graphic art

“don’t even ask…II”
Digital photography and graphic art. 2011.

Another in a series of analyses on my art. This one’s OVERDUE!!: This is my FIRST REAL post since LAST YEAR (The update posts about my smashed laptop screen and other weirdness do not really count as posts…not to me, anyhow)!! Still waiting on that laptop screen replacement, but 3 weeks should finally do it. Thanks to my precious readers & new readers for still reading my blog and being patient for another post!!  : )

UPDATE: I have been asked (by a fellow art student alumnus) to have a solo art exhibit at her parents’ art studio/gallery. Her parents are artists as well. I will have it this Fall! Yippee (Don’t know who says “yippee” anymore, but it is fun all the same)! Also, I have work to do on two logos for a friend’s non-profit. I’ve done a logo for her before & so this project should tie in well with the 1st logo. Thanking God for all the blessings! (I used alot of exclamation marks, huh?)

Feel free to comment with questions you may still have.

DON’T EVEN ASK… & DON’T EVEN ASK…II

What:  Exaaaactly what the titles state (yes, those ARE the titles and not me being a HUGE MEGA douchebag): don’t even ask! Well, you can if you want to (in person or in the comment box), but I would not know what to say because WHAT these pieces are is actually me throwing ideas out of  my brainbox just for the sake of  ideas and visual satisfaction. They are an amalgamation (BIG word usage alert) of more than one object magically joined with Adobe love. Digital marraige. Wow. They are actually architectural structures, but just to be an artsy jerk, I won’t divulge what those structures are. You gotta guess!! Haha! Man. That did sound pretty jerky……..

Why: The new crop of extremely post-post modern art (I wonder how many posts art can have…a great mystery) is a pretty big influence on me, right now. I am in awe of the lengths these artists’ minds go to create beautiful and profoundly imaginative, conceptualized art that make viewers go: “WOW, art is AWESOME!” and that make the artist him/herself go: “What the hell did I just do?…but it’s cool, though.” I also LOVED the architectural structures that I came across on a trip to Florida (adore going there) and went photo crazy! Remember…usually only artists are mentally/emotionally enamored of things like architectural details to the point of  fainting  when we see the potential in it for a drawing, painting or photograph… It’s like a cornucopia of creative possibilities!! So that is the why: The new wave of art, beautiful architecture and the irresistable opportunity to transform those ideas in Photoshop. HEAVEN!!

The other why has to do with me doing two. Simply, I wanted to try two different approaches visually. And you know…it would be cool if put side by side, they would form a diptych (“a work made up of two matching parts”-http://merriam-webster.com/dictionary/diptych). I would display them side by side in my exhibit! The main why would be trying things and progression. It’s important for artists to grow in their artistic experimentation. OR YOU WILL BE LIKE STALE BREAD. Yuck.

When: I produced these two pieces last year. I was Adobe crazy!  When I get my laptop back, I will be going at it, again. Don’t worry…I haven’t forgotten how to draw or paint!

How: The pieces were generated with my imagination, first of all (thanks, brain!) and nextly with digital photography and Adobe. As stated above, they are titled don’t even ask… and don’t even ask…II (the ellipses, the dots, are intentional to indicate pondering; like this…  The works cause much ponderance. I like that word. For some reason, I feel British or like a person from the Victorian age. Anyway, waaay off topic……..). I really do hope viewers find something to like in both pieces! Whether it is the structures (which I still won’t reveal!), the coloring, the textures, the composition or the everything. In both of them, I wanted to mix it up as far as joining the parts; thereby resulting in a labyrinth (really goin’ all out on this wording) of overlapping and intersecting posts and beams and framework. Fun to look at, I feel! I personally favor the 2nd one with its sharp and gritty, raw black and white hitting against the saturated blues and black. The1st one I find a liking toward as well. The popping Pop art red contrasting so sharply with the blue is shocking! Which one do most visually catches YOUR eye? Or do they both? Feel free to comment on that, too!

Thanks for reading this post and please do view my other posts and also pages in this blog! I can’t really convey how glad I am to be posting again, except to say…I love to blog, it’s a gracious outlet and I am soooo glad to be back!! 

view more art HERE. THANKS!

WHATWHYWHENHOW: Artwork Analysis 7


"GO!!GO!!GO!!!!" Graphic art. 2011.

Another in a series of analyses on my art. This one’s faaast. ZOOOOM…

Feel free to comment with questions you may still have.

GO!!GO!!GO!!!!

What:  This is an artistic rendering of road rage, but mainly a visual translation of alacrity, rapidity, swiftness, swiftness – SPEED! I could’ve just said speed, but I wanted to do a little word mess-around and make some readers think, “This girl is silly, ridiculous, juvenile & asinine.” That last one is a bit harsh. Anyhow, the MAIN point of this piece of art is speed & the fast life of the city conveyed through a graphic work. The undertone is road rage. Too bad REAL road rage isn’t as fun as it looks in this work. In REAL life, road rage is alot uglier with yelling, middle fingers and curse words, profanity, vulgarity, blasphemy…let me quit before I get some 3- & 4-letter comments from folks.

Why: I was basically bored. You may not know it, unless you are an artist, but BOREdom can often be a producer of some of the most creative stuff. Probably because stuff just starts to flow out of our heads and we don’t even care what it is, as long as it’s something. So I was bored. I was also VERY influenced by the artworks we see in ads, lately. You know the kind. An object (a cell phone, for example) will be accompanied by all these trippy, super-mod visual effects like elliptical circles, beautiful floral work and
stars bursting around it. These days, ads make you feel as if you got punched in the eyes with colors, shapes and digital everything, but it is really fun to see. Like bedazzled, eye candy. Like graffiti without the actual graffiti. So, inspiration: boredom and extremely trippy  art.

When: This was completed in an obvious artist-freak-out frenzy this year. Nah…I didn’t freak out, but I did Photoshop for 4 hours, staying up until 4am working on this. If an artist’s computer could speak, it would say, “Go to BED!! I am overheated and pissed, you masking, copy/pasting, filtering, layering wretch.”

How: How I created this piece? With the use of my overheating laptop (borrowed from my boyfriend…if you read one of my earlier posts, you will be reading about how MY laptop was desecrated *sniff* & yet to be fixed). When high CPU – usage programs like Adobe programs are used, they can really heat up a laptop, so that soon it feels like hellfire is breathing from it…that’s why a cooling pad is a great invention, contraption, gadget, device………..okay…

view more art at: http://paintingsilove.com/artist/caloniejohnson THANKS!

WHATWHYWHENHOW: Artwork Analysis 5


3 Paths. Oil. 2010.

Another in a series of analyses on my art.

Feel free to comment with questions you may still have.

3 Paths

WHAT: Looks like a cluster of well placed strokes done in a painting frenzy, huh? Or maybe some of you are thinking, “That is the COOLest letter “A” I have ever seen!” I’ll give it some more credit than that, though. Abstract art and simplified art are more complex than what I used to give it credit for. Me, of the devotion to realism, naturalism styles and Renaissance period. Even painting with the more freeing, loose style of the most simple (because there ARE, visually-speaking, more complicated examples of it out there) abstract art that consist of strokes, quick lines or big gong-size circles or squares on canvas…there still is a “method to the madness” (as my painting instructor, Dr. H. I’ll call him, used to say). Even when the work appears to be something that took as much mental effort as it takes to pick your nose, it is more complex than that! Much more. Even the most simple work came with a method and a lot of thinking. The title, “3 Paths”, refers to a visual secret in the paintng itself, a secret that is so obvious you can see it, really.

Here is a theoretical look at what abstract art is:

Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.

Abstract art, nonfigurative art, nonobjective art, and nonrepresentational art are loosely related terms. They are similar, although perhaps not of identical meaning. – http://en.wikipedia.org/wiki/Abstract_art

WHY: I’d been on an art binge! I was drawing and Photoshoping and photographing all over the place…painting was next! I was on creative overdrive at the time…pencils, brushes, charcoals, paint, files flinging everywhere! Art glutton, outta control! It was goodtimes. That’s one reason why I created this piece; it was another creative outlet. Another reason was work I saw by an abstract artist named Qin Feng (check out a link to his site under “Artists” on the sidebar). WOW! I mean, this man is dynamic with the seemingly most serene techniques! If I was gonna get more into abstract art, this was the way to be inspired-visually aggressive, harmonious, beautiful art. Less time-consuming than subjective art, NON-subjective art is so freeing! Like wind in your brush! Kinda…

WHEN: This was done in 2010.

HOW: This was produced with blood (the red ground) and tar (the black strokes). …….. .. … …….I was waiting for you to believe that. You probably did, seeing as how I’m an artist and the fact that artists like to try all sorts of media for expression. So, noooo, it’s not blood and tar, its just simple old, expensive oil paint. Blood would freak people out & make me seem psychotic! Tar would be awesome……..I would try that. So, anyway, it’s OIL paint. I love oil paint. So rich and full of depth! Like 3D with a pigment, oil and a brush! As to how else this was done, I just let my hand go. Seriously! I wasn’t trying to think beyond what I wanted to convey & composition (placement). Beyond that, I did not think because thinking too much would have made it too studied and stiff. I just told my brain, “SHUT UP!” and let my hand have a mind of its own as my brain sulked in the corner.

Thank you for reading my NEW POST!  Come back because there will definitely be more!

view more art at: http://paintingsilove.com/artist/caloniejohnson THANKS!

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WHATWHYWHENHOW: Artwork Analysis 2


Another in a series of analysis on my art.

Feel free to comment with any questions you may still have.

“jigjag”. Digital art. 2010.

“jigjag, 2010”

WHAT: A peculiar piece with a peculiar name. I bet a lot of you looking are wondering one of two things: “What the hell is that??” or “What the hell is that…it looks like an alien mountain range from an aerial perspective.” Well, the second statement is closer because though that is not exactly what it is, it is weird like an alien mountain range and it is…just weird. But I like weird. Sometimes, in these analyses that I write, I won’t fully explain stuff. Just give hints because it still is entertaining for you all to just guess! As I worked on this, which is graphic art, I felt it resembled a mountain range from above, too…but more like a fantasy one from one of those Tolkien stories (I.e. “Lord of the Rings” books). It is what it is…and it’s weird. Nice weird.

WHY: Why did I do this? No, I am asking YOU why I did this because it is hard to say. Maybe you can enlighten me. I guess I did this, really, to experiment in my digital lab of curiosities. I always like to progress and see what else I can do, which is more than drawings, paintings in a realistic or natural vein. I can do other things, too. So I told myself, “Let’s go crazy & do something different, even if it there is no visual logic to it!” As long as it made at least some sense visually, as far as color theory (those colors are there for a reason) and other elements. In art, design elements are the basic building blocks of art, by the way. Color, illusion of space, illusion of motion, line, value, shape/volume & texture. There are design principles, too, which is the more technical side to creating art, but get into that later…don’t feel like thinking toooo much right now.

WHEN: I produced this piece in 2010.

HOW: From within my digital lab of curiosity, remember?? Okay. Technically I did this using graphic magic conjured from my pixel and resolution wands in tandem. Okay. I see you are not buying that, either. I do have a digital lab, though. It is my laptop and it is also in my hard drive. That ever so useful Adobe CS (Creative Suite) software. The digital CRACK for devotees. It is that addictive. Adobe CS (I have CS4, but CS5 version, with even more wacky & addictive applications, is out now) is a premier collection of software: Illustrator, Photoshop (yep, and it goes waaaaaay beyond airbrushing celebrities, lemme tell you), InDesign, DreamWeaver (for web-work), Flash and A LOT more. I am getting faint-ish thinking about it! Drawing will forever be number one in my heart and practice, but Adobe’s some tasty candy on the side…

View more art at:

http://paintingsilove.com/artist/caloniejohnson Thank You!

Follow @SheDoesArtWow